Extract from the note that came out about the opening in TIME ARGENTINO. Thank you very much!
The curator, Kenichiro Ohashi (Art Communication), said something that may seem odd to Western ears. "We wish that climate change does not undermine the creation of poetry," he said. It happens that these brief and ancient poetic forms (haiku began to be practiced in the imperial courts from the eighth century when China came to Japan writing) bases its code on the four seasons. Also, in plants, animals and phenomena representing each season climate. One of the poems written by Fukie Mori, said: "The heart / cherry blossoms / es solo / only a small petal sleeps on my hand."
While one of the secrets of Japanese short poetry is to interpret the cycles of nature are also allowed humorous puns (in the hat / husks of chestnuts / open your mouth), talking about love (in the fall / it went to see my beloved / cosmos flowers) to denote geographies (Little Flower / camellia Wabisuka / all snow / after Yumiki Shoji / I watch with my cat.) In any case, the secret is to reach the heart of language, in been essential. Hence, these poems seem simple and stripped. Who travel the sample notice, however, that under this appearance lies an exquisite complexity
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