July 2010

It is re-editing, is redemption ...

I approached an excerpt from a discussion by Buzz on "Amapola del 66", in which he talked about how good we thought (or not).
And without realizing it, left it all comes next.

mmm, it's hard, but I will try ... (not to be subjective)
Comparisons do not know if they are correct at all, for several reasons . First, with other bands: Balls. There was always rivalry between these two (though most just by listening). It's hard not to fall into the typical war "and the other one." The ball is a huge band, that sounds amazing! One of the most solid on the scene, but the group and with exceptional songs. And Wake is a great album, I will not argue. But within a shaft.
Jim Croce ... new and innovative band whose lead singer is one of my favorite drummers, but they still not convinced (that does not mean they are bad, just that I do not finish to taste). That are changing or evolving in their music is a nice feature, but Catupecu so does (and as you do!), And even the renga was mutating their sound album to album.
I mean, these two examples you give I think are more subjective than analytical.
I mean, from my point of view, I find an album as good:
1) Evolution as a band, leaving behind (or outside) to a drummer as araujo and get the amalgam group they have now is a real merit . The album was recorded live at the studios (just beat circus I remember as another national example, and I think one of Vadala as well), and only added vocals and guitar arrangements specific (or overlapping). Coupled with the ensemble group obtained. seem to play together for 30 years (three)
2) Music Evolution: The proposed progressive cuts in all themes to have music a step further (in my opinion), differentiating of traditional courts. I mean these abrupt changes of tempo, time signature changes (the most notorious is poppy, they change 3 / 4 to 4 / 4, to return to 3 / 4 after the interlude and transform it into a 6 / 8 to end ) or twists to successful resolutions (all cuts out well, back to the original melody in a way unthinkable and even hints of a little).

3) Personal Evolution: Each of the three is in its best musical. Mollo transform their cries towering rock melodic intonations in half, keeping the explosion of voice for peak times, avoiding repeated. Play with the melodies and the little letters of the verses and not depleted resources on two songs.
His execution on the guitar is getting wilder, but with sobriety. There is no waste of 6 strings torn. The solos are far more, but it is not repeatable and predictable hendrix, if not the best interpretation of mollo in each. The variety of sounds, in fine criterion chosen for each occasion, the resources and changing effects test, while fulfilling its role in the song to emphasize a virtuosity. The increasingly frequent incorporation of modulators (as if he was using an organ) to fill and sometimes even to define the sound of the song. All these resources are noticed which are studied in detail.
And arnedo on bass, playing better and better, choosing a single criterion rhythmic-melodic accompaniments, highlighting vistuosismo for speed without neglecting the most important thing: The base. Amalgamated to the last stroke with Catriel, generating the best rhythm of the Argentine rock duo. In this dish sometimes goes to the front, sometimes unrecognizable and sometimes it is camouflaged in the landscape. One approach is not always successful either, here is fulfilling its role exquisitely. A mixture of Pastorius and flea, but in Creole. Catriel
: And do not ... I had not heard before, but it touches on this album is incredible. Progressive cuts above quote depend heavily on him. And in the disc hits as hard as in vivo (it shows in the sound of the patches), which gives a great respite to all bodies of the battery.

4) Compositions: The songs are much more mature than previous albums. Appointments come from the closet, as compared to their musical recipe yet on that disk (which is not my favorite, but I still like) the recipe was much more commercial now. (Now you do not have cut media, eg.) Previously, the formula was more rockandroll, power trio and rock attitude. Perhaps from the letters had begun introspection (as evidenced from nosed century), but here the subtleties are lyrics and music.
From an album of 14 songs, only a few seem to hang above formula: Man U, Seeking an Angel, the dog funk. But in all other compositions are somewhat more convoluted, leaving the traditional system but matched with a mid tempo hard rock (poppy itself is a great hard to slow tempo, but the waltz time signature). I quote the musical resources that each brings to cause such a difference in the songs. EG: walking. The battery uses a pattern not remember having heard in a previous song in the band, drum beats and syncopated drum, accompanied by low ranging from disco and funk. to name only one.
delicacies After Hiking, Jujuy, Boyar night that I think are the pillars of the disc.
all have strange musical passages (the progressive influences speak before) to give another color to the songs, changing gender and avoiding almost be compared to many of the new musical production. Touches of delicacy (or complex number) that put it up to foreign bands. Even the vocals.

5) And not least: The sound achieved.
care is a record that details of sound in all respects. The battery sometimes and sometimes it sounds modern sounds the same John Bonham (eg. All). The low at times at the front, with distortions very dense (but below there is a low clean), occupying an entire side of the sound spectrum (buttery), or in the middle and along with the bass drum.
The guitars are at times a re palo (night float), or voice or dishes, divided into two channels normally but sometimes more than one side than the other. Sometimes with very cargdaos processes in effects, but sometimes clean amp with the distortion of the only (good and something more secure, is mollo way.) The voice level baby never before, now always lower (enough to not come out without the leave of understanding).
And the sound of the album, which is not saturated at any time, leaving air spaces and compression regardless of when not needed. (The album chart wave is, and is reflected in the audio when you listen). Sounds bright, full-bodied, with media, with depth. Sound very analog. That is a choice and not a matter of chance.

I think all these shades make a very interesting general result. Perhaps all the examples you named I have the merits you say, or even more, but I see things on this record that the others do not. These are details that make the entire album as such (as a unit from beginning to end), and sometimes are not taken into account.
When these details are so well produced it when my I'm glad to hear it (usually this analysis comes after listening and not before, not to create conditions in the criterion).
is for these things listed above that I find the best national album in a long time. (The only thing that competes is Skay, any of its records, whose production processes and composition are very similar to these, with the difference that are only 8 years together.)

Maybe I need to hear some more attention and may end up taking a poppy throne. But for now, is the most gives me pleasure to hear. And, of course, the more I appreciate that.

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